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While the art of letter writing might seem lost, this selection of newly framed vintage French letters is sure to serve as a permanent—and decorative—reminder.  Each letter is floated and mounted with a dark colored matt and handsome burlwood frame.  

Measurements: 
height: 16.25"
depth: 14.50"
width: 0.25"

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques and stencils. "Dirty saves Lennie", shown here is acrylic and charcoal on canvas from 2019.  

Measurements:
60" x 60"

Ethan Boisvert Biography

As an artist I work in an array of different mediums. This particular work is from my photography portfolio, which is almost completely abstract in nature. There are few indicators of anything real, in the sense of tangible objects, although all of the images portrayed are shot in camera and not created in Photoshop or other digital programs. The work is macro, a term applied to photography dealing with capturing images of very small objects such as pennies, key chains, flowers, magazine article cutouts, etc. I generally use refraction methods of shooting through glass and liquid, to further enhance the abstraction, which creates more fluid like compositions that align with classical western European masters of the pre avant-garde era.  

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques and stencils. "OK Tangni," shown here is acrylic and charcoal on canvas from 2019.  

Measurements:
60" x 60"

Ethan Boisvert Biography

As an artist I work in an array of different mediums. This particular work is from my photography portfolio, which is almost completely abstract in nature. There are few indicators of anything real, in the sense of tangible objects, although all of the images portrayed are shot in camera and not created in Photoshop or other digital programs. The work is macro, a term applied to photography dealing with capturing images of very small objects such as pennies, key chains, flowers, magazine article cutouts, etc. I generally use refraction methods of shooting through glass and liquid, to further enhance the abstraction, which creates more fluid like compositions that align with classical western European masters of the pre avant-garde era.  

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

2015
macro photography

Ethan Boisvert Biography

As an artist I work in an array of different mediums. This particular work is from my photography portfolio, which is almost completely abstract in nature. There are few indicators of anything real, in the sense of tangible objects, although all of the images portrayed are shot in camera and not created in Photoshop or other digital programs. The work is macro, a term applied to photography dealing with capturing images of very small objects such as pennies, key chains, flowers, magazine article cutouts, etc. I generally use refraction methods of shooting through glass and liquid, to further enhance the abstraction, which creates more fluid like compositions that align with classical western European masters of the pre avant-garde era.  

2015
macro photography

Ethan Boisvert Biography

As an artist I work in an array of different mediums. This particular work is from my photography portfolio, which is almost completely abstract in nature. There are few indicators of anything real, in the sense of tangible objects, although all of the images portrayed are shot in camera and not created in Photoshop or other digital programs. The work is macro, a term applied to photography dealing with capturing images of very small objects such as pennies, key chains, flowers, magazine article cutouts, etc. I generally use refraction methods of shooting through glass and liquid, to further enhance the abstraction, which creates more fluid like compositions that align with classical western European masters of the pre avant-garde era.  

Jeff Wallace's Homage series uses color blocks of paper assemblages to tell the story.  This work, titled "Holiday 2021" served as our holiday card.  One of several Homage works available.

Measurements: 
height: 14"
width: 12.75"
depth: 1.5"

 The origins of Jeff Wallace’s work lay in personal experience: in 2012, as elderly relatives began showing signs of failing health and memory loss he was left to manage their personal effects. Gathering and organizing their correspondence, papers, photographs and books, he recognized how the various ephemera together formed a distinct, personal narrative, documenting a sequence of moments that collectively recount a lifetime.

In his work, Wallace explores the role of revision and palimpsest as it relates to memory – the continuous process through which stories overlap, become diluted or erased over time.

‘My paintings and installations are constructions that amplify the relationship between time and memory. I use materials that may be familiar to a viewer, but are not immediately recognizable out of context. With this medium, I am interested in preserving the ‘what was’ and in elevating the ‘as is’ to represent what remains present in memory with the passing of time – the colors, light, shapes and patterns of what is encountered in daily life.’

Brooklyn-based artist Jeff Wallace explores color in this paper assemblage titled "Point of No Return."  Mounted in a shadowbox frame it is only one of the works from Wallace's Homage Series.  

Measurements:
height: 16.25"
width: 14.75"
depth: 1.5"

 The origins of Jeff Wallace’s work lay in personal experience: in 2012, as elderly relatives began showing signs of failing health and memory loss he was left to manage their personal effects. Gathering and organizing their correspondence, papers, photographs and books, he recognized how the various ephemera together formed a distinct, personal narrative, documenting a sequence of moments that collectively recount a lifetime.

In his work, Wallace explores the role of revision and palimpsest as it relates to memory – the continuous process through which stories overlap, become diluted or erased over time.

‘My paintings and installations are constructions that amplify the relationship between time and memory. I use materials that may be familiar to a viewer, but are not immediately recognizable out of context. With this medium, I am interested in preserving the ‘what was’ and in elevating the ‘as is’ to represent what remains present in memory with the passing of time – the colors, light, shapes and patterns of what is encountered in daily life.’

Part of the Homage Series by Brooklyn-based artist Jeff Wallace, this work is titled "Light in August."  Paper assemblage in color blocks of green, blue gray and ivory and black in shadowbox frame.  One of several Homage pieces available.  .

 The origins of Jeff Wallace’s work lay in personal experience: in 2012, as elderly relatives began showing signs of failing health and memory loss he was left to manage their personal effects. Gathering and organizing their correspondence, papers, photographs and books, he recognized how the various ephemera together formed a distinct, personal narrative, documenting a sequence of moments that collectively recount a lifetime.

In his work, Wallace explores the role of revision and palimpsest as it relates to memory – the continuous process through which stories overlap, become diluted or erased over time.

‘My paintings and installations are constructions that amplify the relationship between time and memory. I use materials that may be familiar to a viewer, but are not immediately recognizable out of context. With this medium, I am interested in preserving the ‘what was’ and in elevating the ‘as is’ to represent what remains present in memory with the passing of time – the colors, light, shapes and patterns of what is encountered in daily life.’

Measurements: 
height: 14"
width: 12.75"
depth: 1.5"

Brooklyn-based artist Jeff Wallace makes a bold color statement with this paper assemblage titled "Rubine Red."  Mounted in a shadowbox frame it is only one of several works from Wallace's Homage Series.  

Measurements:
height: 16.25"
width: 14.75"
depth: 1.5"

 The origins of Jeff Wallace’s work lay in personal experience: in 2012, as elderly relatives began showing signs of failing health and memory loss he was left to manage their personal effects. Gathering and organizing their correspondence, papers, photographs and books, he recognized how the various ephemera together formed a distinct, personal narrative, documenting a sequence of moments that collectively recount a lifetime.

In his work, Wallace explores the role of revision and palimpsest as it relates to memory – the continuous process through which stories overlap, become diluted or erased over time.

‘My paintings and installations are constructions that amplify the relationship between time and memory. I use materials that may be familiar to a viewer, but are not immediately recognizable out of context. With this medium, I am interested in preserving the ‘what was’ and in elevating the ‘as is’ to represent what remains present in memory with the passing of time – the colors, light, shapes and patterns of what is encountered in daily life.’

The portrait, shown here, by E.G. Hartmann is as dramatic for its imagery as it is its rust, brown and gold color palette.   Created as pastel on paper, the portrait has been professionally framed and ready for hanging.  

Measurements:
height: 21”
width: 16”
depth: 1.5”

Known for her exuberant works in color, this fine art print by UK artist Jan Erika is a study in black and white.  Titled, "Cross Hairs 1", the Giclee fine art print is available in a limited edition of 50; each signed and numbered by the artist.   

Measurements:
height: 30"
width: 26"
depth: 1.5"

Jan Erika is one of the UK's most sought-after abstract artists, as well as a classically trained concert cellist. Her musical roots are revealed through the dynamic musicality of her paintings, which communicate like a melody.

This dance between rhythm and pattern, colour and expression, sound and paint, form the basis of her art. Whether forty-foot murals or delicate glassware decoration Jan paints with a productive synaesthesia that somehow expresses sound visually.

Jan had a rural upbringing and the forms of the natural world emerge in her work. The shape of the wind soughing in the reeds, the curvature of a leaf, the bright blackness of a seed, the dark line of the shore, a spatter of birdsong: what she calls "the rhythm of the landscape" guides her hand.

Jan has enjoyed a successful career in music; recording with such luminaries as Paul Weller is a highlight. To Jan the distinction between performing music and painting murals is not a strong one. "The drama of the scale of the murals I paint gives me the same feeling as performing solo. I love the excitement of creating something totally original and fresh."

Success has followed her move into painting, and she can now boast an impressive client list. Jan paints private commissions on canvas as well as large scale murals and her work is just as likely to be found in the entrance halls of skyscrapers as the drawing rooms of Surrey.

Unlike her abstracts in bold colors, this neural palette "Earthbeat" triptych by British artist Jan Erika still reveals her passion for shape, form, and pattern.  Available in a limited edition of 50, each Giclee fine art print is produced using the highest quality Somerset Velvet watercolor paper.  Signed and numbered by the artist.  

Measurements: 
height: 49.25"
width: 21.75"
depth: 2"
(one piece) 

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

Jan Erika is one of the UK's most sought-after abstract artists, as well as a classically trained concert cellist. Her musical roots are revealed through the dynamic musicality of her paintings, which communicate like a melody.

This dance between rhythm and pattern, colour and expression, sound and paint, form the basis of her art. Whether forty-foot murals or delicate glassware decoration Jan paints with a productive synaesthesia that somehow expresses sound visually.

Jan had a rural upbringing and the forms of the natural world emerge in her work. The shape of the wind soughing in the reeds, the curvature of a leaf, the bright blackness of a seed, the dark line of the shore, a spatter of birdsong: what she calls "the rhythm of the landscape" guides her hand.

Jan has enjoyed a successful career in music; recording with such luminaries as Paul Weller is a highlight. To Jan the distinction between performing music and painting murals is not a strong one. "The drama of the scale of the murals I paint gives me the same feeling as performing solo. I love the excitement of creating something totally original and fresh."

Success has followed her move into painting, and she can now boast an impressive client list. Jan paints private commissions on canvas as well as large scale murals and her work is just as likely to be found in the entrance halls of skyscrapers as the drawing rooms of Surrey.

The "Island" fine art print, shown here, is by UK artist Jan Erika.  Unlike her exuberantly colored abstracts, this image reveals a more subtle approach to color and form.  The Giclee fine art print is available in a limited edition of 50; each signed and numbered by the artist.  

Measurements:
38" x 38" 

Jan Erika is one of the UK's most sought-after abstract artists, as well as a classically trained concert cellist. Her musical roots are revealed through the dynamic musicality of her paintings, which communicate like a melody.

This dance between rhythm and pattern, colour and expression, sound and paint, form the basis of her art. Whether forty-foot murals or delicate glassware decoration Jan paints with a productive synaesthesia that somehow expresses sound visually.

Jan had a rural upbringing and the forms of the natural world emerge in her work. The shape of the wind soughing in the reeds, the curvature of a leaf, the bright blackness of a seed, the dark line of the shore, a spatter of birdsong: what she calls "the rhythm of the landscape" guides her hand.

Jan has enjoyed a successful career in music; recording with such luminaries as Paul Weller is a highlight. To Jan the distinction between performing music and painting murals is not a strong one. "The drama of the scale of the murals I paint gives me the same feeling as performing solo. I love the excitement of creating something totally original and fresh."

Success has followed her move into painting, and she can now boast an impressive client list. Jan paints private commissions on canvas as well as large scale murals and her work is just as likely to be found in the entrance halls of skyscrapers as the drawing rooms of Surrey.

This study in black and white is one of a collection of two works by UK artist Jan Erika.  Titled, "Cross Hatch 2,"  the Giclee fine art print is available in a limited edition of 50; each signed and numbered by the artist. 

Measurements:
height: 30"
width: 26"
depth: 1.5"

Jan Erika is one of the UK's most sought-after abstract artists, as well as a classically trained concert cellist. Her musical roots are revealed through the dynamic musicality of her paintings, which communicate like a melody.

This dance between rhythm and pattern, colour and expression, sound and paint, form the basis of her art. Whether forty-foot murals or delicate glassware decoration Jan paints with a productive synaesthesia that somehow expresses sound visually.

Jan had a rural upbringing and the forms of the natural world emerge in her work. The shape of the wind soughing in the reeds, the curvature of a leaf, the bright blackness of a seed, the dark line of the shore, a spatter of birdsong: what she calls "the rhythm of the landscape" guides her hand.

Jan has enjoyed a successful career in music; recording with such luminaries as Paul Weller is a highlight. To Jan the distinction between performing music and painting murals is not a strong one. "The drama of the scale of the murals I paint gives me the same feeling as performing solo. I love the excitement of creating something totally original and fresh."

Success has followed her move into painting, and she can now boast an impressive client list. Jan paints private commissions on canvas as well as large scale murals and her work is just as likely to be found in the entrance halls of skyscrapers as the drawing rooms of Surrey.

A passion for color, form and movement are the distinguishing features of works by UK artist Jan Erika.  The Gilcee fine art print, shown here, is an excellent example.  Titled "Blue Puzzle," it available in a limited edition of 50; each signed and numbered by the artist.  

Measurements:
height: 23"
width: 18.5"
depth: 1.5"

Jan Erika is one of the UK's most sought-after abstract artists, as well as a classically trained concert cellist. Her musical roots are revealed through the dynamic musicality of her paintings, which communicate like a melody.

This dance between rhythm and pattern, colour and expression, sound and paint, form the basis of her art. Whether forty-foot murals or delicate glassware decoration Jan paints with a productive synaesthesia that somehow expresses sound visually.

Jan had a rural upbringing and the forms of the natural world emerge in her work. The shape of the wind soughing in the reeds, the curvature of a leaf, the bright blackness of a seed, the dark line of the shore, a spatter of birdsong: what she calls "the rhythm of the landscape" guides her hand.

Jan has enjoyed a successful career in music; recording with such luminaries as Paul Weller is a highlight. To Jan the distinction between performing music and painting murals is not a strong one. "The drama of the scale of the murals I paint gives me the same feeling as performing solo. I love the excitement of creating something totally original and fresh."

Success has followed her move into painting, and she can now boast an impressive client list. Jan paints private commissions on canvas as well as large scale murals and her work is just as likely to be found in the entrance halls of skyscrapers as the drawing rooms of Surrey.

The series of nine fine are prints, shown here, is from U.K. abstract artist Jan Erika.  Titled, "Twisted Tales," each Giclee fine art print is available in a limited edition of 50 and signed and numbered by the artist.  Select one or multiples to create your own gallery wall.

Measurements:
height: 23"
width: 18.5"
depth: 1.5"

Our favorite photographer, Jefferson Hayman, has provided us with his largest works to date.  Shown here is a signed and numbered pigment print titled, "The Sound,"

Pigment Print 

Measurements:
width: 48"
height: 35"
depht: 2"

Jefferson Hayman Biography

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Through a quiet minimalism, he invites the viewer to partake in the narrative process in a way that is both intimate and deeply personal. Drawing from his education in the fine arts and his training in the art of frame-making, Hayman approaches his work with a deep understanding of traditional craftsmanship and a sense of artistic heritage whilst remaining tied to the present through the timelessness of aesthetic simplicity. Through an understated language of visual symbols and meditative studies, Hayman’s work manifests as a visual journal chronicling transformation, discovery, and solitude, boldly stripped of the extraneous. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, capturing a delicacy in tonality reminiscent of early Pictorial photography as well as the subsequent modernism movement’s refined interplay of light and shadow. Finished prints are paired with antique or artist-made frames, meticulously custom-made by the artist, whose attention to the unique attributes of each photograph imbues every piece with a completely unique story and sense of personality. Hayman’s work is found in numerous private and public collections, notably The Museum of Modern Art Special Collections Library, The Boston Athenaeum, The New York Public Library, the collection of Sir Elton John, and the collection of Robert DeNiro, amongst many others. In 2015 he was awarded the prestigious Pollock Krasner grant. He lives and works in Nyack, New York, a small historic village minutes from the heart of Manhattan.

Oversized "San Remo" signed pigment print by Jefferson Hayman. 

Measurements: 
height: 37"
width: 25"

Jefferson Hayman Biography

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Through a quiet minimalism, he invites the viewer to partake in the narrative process in a way that is both intimate and deeply personal. Drawing from his education in the fine arts and his training in the art of frame-making, Hayman approaches his work with a deep understanding of traditional craftsmanship and a sense of artistic heritage whilst remaining tied to the present through the timelessness of aesthetic simplicity. Through an understated language of visual symbols and meditative studies, Hayman’s work manifests as a visual journal chronicling transformation, discovery, and solitude, boldly stripped of the extraneous. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, capturing a delicacy in tonality reminiscent of early Pictorial photography as well as the subsequent modernism movement’s refined interplay of light and shadow. Finished prints are paired with antique or artist-made frames, meticulously custom-made by the artist, whose attention to the unique attributes of each photograph imbues every piece with a completely unique story and sense of personality. Hayman’s work is found in numerous private and public collections, notably The Museum of Modern Art Special Collections Library, The Boston Athenaeum, The New York Public Library, the collection of Sir Elton John, and the collection of Robert DeNiro, amongst many others. In 2015 he was awarded the prestigious Pollock Krasner grant. He lives and works in Nyack, New York, a small historic village minutes from the heart of Manhattan.

Oversized "Flatiron Building" signed pigment print by Jefferson Hayman. 

Measurements:
height: 37" 
widht: 27" 

Jefferson Hayman Biography

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Through a quiet minimalism, he invites the viewer to partake in the narrative process in a way that is both intimate and deeply personal. Drawing from his education in the fine arts and his training in the art of frame-making, Hayman approaches his work with a deep understanding of traditional craftsmanship and a sense of artistic heritage whilst remaining tied to the present through the timelessness of aesthetic simplicity. Through an understated language of visual symbols and meditative studies, Hayman’s work manifests as a visual journal chronicling transformation, discovery, and solitude, boldly stripped of the extraneous. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, capturing a delicacy in tonality reminiscent of early Pictorial photography as well as the subsequent modernism movement’s refined interplay of light and shadow. Finished prints are paired with antique or artist-made frames, meticulously custom-made by the artist, whose attention to the unique attributes of each photograph imbues every piece with a completely unique story and sense of personality. Hayman’s work is found in numerous private and public collections, notably The Museum of Modern Art Special Collections Library, The Boston Athenaeum, The New York Public Library, the collection of Sir Elton John, and the collection of Robert DeNiro, amongst many others. In 2015 he was awarded the prestigious Pollock Krasner grant. He lives and works in Nyack, New York, a small historic village minutes from the heart of Manhattan.

2018
Edition 2/9
pigment print

framed dimensions:
height: 24"
width: 24"

Jefferson Hayman Biography

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Through a quiet minimalism, he invites the viewer to partake in the narrative process in a way that is both intimate and deeply personal. Drawing from his education in the fine arts and his training in the art of frame-making, Hayman approaches his work with a deep understanding of traditional craftsmanship and a sense of artistic heritage whilst remaining tied to the present through the timelessness of aesthetic simplicity. Through an understated language of visual symbols and meditative studies, Hayman’s work manifests as a visual journal chronicling transformation, discovery, and solitude, boldly stripped of the extraneous. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, capturing a delicacy in tonality reminiscent of early Pictorial photography as well as the subsequent modernism movement’s refined interplay of light and shadow. Finished prints are paired with antique or artist-made frames, meticulously custom-made by the artist, whose attention to the unique attributes of each photograph imbues every piece with a completely unique story and sense of personality. Hayman’s work is found in numerous private and public collections, notably The Museum of Modern Art Special Collections Library, The Boston Athenaeum, The New York Public Library, the collection of Sir Elton John, and the collection of Robert DeNiro, amongst many others. In 2015, he was awarded the prestigious Pollock Krasner grant. He lives and works in Nyack, New York, a small historic village minutes from the heart of Manhattan.

Despite its formidable appearance and size, the Dobradura sculpture, shown here, is made of resin making it both lightweight and easy to install.  Whether hung horizontal or vertical, it is sure to make a bold artistic statement wherever it is installed.   

Measurements:
width: 59"
height: 29.5"

Measurements are approximate due to the shape of the sculpture!

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

British pop art sculptor, print-maker and teacher, Nicholas Monro, completed this work in 1970.  Titled "Cosmic Consciousness" it is one of several Monro signed silk screen prints on paper available.

Signed, ca 1970 

Measuerments: 
height: 27.5"
width: 40"

About the artist: 

 Nicholas Monro (born London, 1936) is an English pop art sculptor, print-maker and art teacher. He is known for being one of the few British pop artists to work in sculpture and is known for his use of fibreglass.
Monro studied art at the Chelsea Scool of Art from 1958 to 1961. After graduating he began teaching at Swindon School of Art then returned to Chelsea School of Art in 1968. In 1969 he received an Arts Counsil Award and was included in the exhibition Pop Art Re-Assessed at the Hayward Gallery. In the early 1970s, he had a studio at Hungerford.
His work was included in the 2004 pop art retrospective "Art and the 60s: This Was Tomorrow" at Tate Britain and Birmingham Gas Hall and, in the same year, "British Pop Art 1956–1972" at the Galleria Civica di Modena
Monro's works are in the collections of the Berardo Collection Museum, Tate Modern and Wolverhampton Art Gallery. 

British sculptor and print-maker, Nicholas Monro, completed this work in the 1970s.  Titled "Craters," it is one of six Monro signed and numbered silk screen prints on paper now available. 

Signed by artist 

Measurements: 
height: 27.5"
width: 40"

About the artist: 

 Nicholas Monro (born London, 1936) is an English pop art sculptor, print-maker and art teacher. He is known for being one of the few British pop artists to work in sculpture and is known for his use of fibreglass.
Monro studied art at the Chelsea Scool of Art from 1958 to 1961. After graduating he began teaching at Swindon School of Art then returned to Chelsea School of Art in 1968. In 1969 he received an Arts Counsil Award and was included in the exhibition Pop Art Re-Assessed at the Hayward Gallery. In the early 1970s, he had a studio at Hungerford.
His work was included in the 2004 pop art retrospective "Art and the 60s: This Was Tomorrow" at Tate Britain and Birmingham Gas Hall and, in the same year, "British Pop Art 1956–1972" at the Galleria Civica di Modena
Monro's works are in the collections of the Berardo Collection Museum, Tate Modern and Wolverhampton Art Gallery. 

British pop art sculptor, print-maker and teacher, Nicholas Monro, completed this work in 1970.  Titled "The Flood," it is one of six Monro signed silk screen prints on paper available.

Signed by artist 

Measurements: 
height: 27.5"
width: 40"

About the artist: 

 Nicholas Monro (born London, 1936) is an English pop art sculptor, print-maker and art teacher. He is known for being one of the few British pop artists to work in sculpture and is known for his use of fibreglass.
Monro studied art at the Chelsea Scool of Art from 1958 to 1961. After graduating he began teaching at Swindon School of Art then returned to Chelsea School of Art in 1968. In 1969 he received an Arts Counsil Award and was included in the exhibition Pop Art Re-Assessed at the Hayward Gallery. In the early 1970s, he had a studio at Hungerford.
His work was included in the 2004 pop art retrospective "Art and the 60s: This Was Tomorrow" at Tate Britain and Birmingham Gas Hall and, in the same year, "British Pop Art 1956–1972" at the Galleria Civica di Modena
Monro's works are in the collections of the Berardo Collection Museum, Tate Modern and Wolverhampton Art Gallery. 

British pop art sculptor, print-maker and teacher, Nicholas Monro, completed this work in 1970.  Titled "Lobby" it is one of several Monro signed silk screen prints on paper available.

Signed, 

Measurements: 
height: 27.5"
width: 40"

About the artist: 

 Nicholas Monro (born London, 1936) is an English pop art sculptor, print-maker and art teacher. He is known for being one of the few British pop artists to work in sculpture and is known for his use of fibreglass.
Monro studied art at the Chelsea Scool of Art from 1958 to 1961. After graduating he began teaching at Swindon School of Art then returned to Chelsea School of Art in 1968. In 1969 he received an Arts Counsil Award and was included in the exhibition Pop Art Re-Assessed at the Hayward Gallery. In the early 1970s, he had a studio at Hungerford.
His work was included in the 2004 pop art retrospective "Art and the 60s: This Was Tomorrow" at Tate Britain and Birmingham Gas Hall and, in the same year, "British Pop Art 1956–1972" at the Galleria Civica di Modena
Monro's works are in the collections of the Berardo Collection Museum, Tate Modern and Wolverhampton Art Gallery. 

British pop art sculptor, print-maker and teacher, Nicholas Monro, completed this work in 1970.  Titled "Born," it is one of several Monro signed silk screen prints on paper available.

Signed, ca 1970

Measurements: 
height: 27,5"
width: 40"

About the artist: 

 Nicholas Monro (born London, 1936) is an English pop art sculptor, print-maker and art teacher. He is known for being one of the few British pop artists to work in sculpture and is known for his use of fibreglass.
Monro studied art at the Chelsea Scool of Art from 1958 to 1961. After graduating he began teaching at Swindon School of Art then returned to Chelsea School of Art in 1968. In 1969 he received an Arts Counsil Award and was included in the exhibition Pop Art Re-Assessed at the Hayward Gallery. In the early 1970s, he had a studio at Hungerford.
His work was included in the 2004 pop art retrospective "Art and the 60s: This Was Tomorrow" at Tate Britain and Birmingham Gas Hall and, in the same year, "British Pop Art 1956–1972" at the Galleria Civica di Modena
Monro's works are in the collections of the Berardo Collection Museum, Tate Modern and Wolverhampton Art Gallery. 

Wintery landscape painting dating back to circa 1950, set in a combed maple frame. 
A glimpse of nature, as through a window. 

Measurement: 
height: 24"
depth: 27"
width: 1"

Painting of a classical game: "Tic Tac Toe".
Black on black color scheme gives it an elevated and edgy look, that makes this pieces ideal for a study, livingroom or even a playroom. 

Acrylic on canvas 

Measurements: 
height: 48" 
depth: 1.25"
width: 36"

Anna Ullman
Acrylic on Canvas 

Measurements: 
16" x 20"


Anna Ullman 

“When I go into the studio, I like to be surprised,” she says of her fine art monoprints, a painterly technique that mixes oil-based inks on a plexiglass plate and transfers them onto a water-infused paper.

This framed work, titled "White Pieces," is one of a series of four paintings by artist Daniela Kamiliotis.  The white wash images on brown notebook paper provide their own depth, character and interest.  Each is professionally framed and signed by the artist. 

Measurements:
width: 20.5"
height: 14.5"

Daniela Codarcea Kamiliotis is a fine artist, set, costume and fashion designer, book illustrator and creative personality involved in a wide range of projects from theater and film to personal exhibitions of paintings, drawings, mixed media and installations. Daniela designed costumes and sets for more than forty theater productions and five movies in her native country Romania between the years of 1978 and 1985. Daniela relocated to New York in 1986 where she worked on several theatre productions as the costume designer for the New Jersey Shakespeare Festival (As You Like It), and for Broadway productions The Secret Garden, Nick & Nora, Oh Kay and Romeo & Juliet in collaboration with Theoni Aldredge. Beyond her work in theatre and film, Daniela has had several personal exhibitions in Romania, Greece and the US. Her art is displayed in the National Museum of Romania and in private collections throughout New York, Washington, Paris, Athens, Thessaloniki, Como, and Zurich. In 2001 Daniela had a retrospective exhibition titled “Window in My Soul – The Studio” at New York’s National Arts Club. For the past 17 years, Daniela has worked with world renowned fashion designer Ralph Lauren as Senior Vice President of Design for Women’s Collection. Daniela continues to work as an artist producing new works from her studio in Connecticut as seen in the profile of her life and work in the book A Perfectly Kept House is a Sign of a Misspent Life by Mary Randolph Carter published by Rizzoli (2011).

2018
oil on canvas

Measurements: 
width: 41" 
height: 53"

Daniela Kamiliotis Biography

Daniela Codarcea Kamiliotis is a fine artist, set, costume and fashion designer, book illustrator and creative personality involved in a wide range of projects from theater and film to personal exhibitions of paintings, drawings, mixed media and installations. Daniela designed costumes and sets for more than forty theater productions and five movies in her native country Romania between the years of 1978 and 1985. Daniela relocated to New York in 1986 where she worked on several theatre productions as the costume designer for the New Jersey Shakespeare Festival (As You Like It), and for Broadway productions The Secret Garden, Nick & Nora, Oh Kay and Romeo & Juliet in collaboration with Theoni Aldredge. Beyond her work in theatre and film, Daniela has had several personal exhibitions in Romania, Greece and the US. Her art is displayed in the National Museum of Romania and in private collections throughout New York, Washington, Paris, Athens, Thessaloniki, Como, and Zurich. In 2001 Daniela had a retrospective exhibition titled “Window in My Soul – The Studio” at New York’s National Arts Club. For the past 17 years, Daniela has worked with world renowned fashion designer Ralph Lauren as Senior Vice President of Design for Women’s Collection. Daniela continues to work as an artist producing new works from her studio in Connecticut as seen in the profile of her life and work in the book A Perfectly Kept House is a Sign of a Misspent Life by Mary Randolph Carter published by Rizzoli (2011).

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

Beautiful watercolor paintings inspired by the seaside in Greece.

2021
watercolor on brown paper with white wooden frame

height: 14.5"
width: 17.5"

Daniela Kamiliotis Biography

Daniela Codarcea Kamiliotis is a fine artist, set, costume and fashion designer, book illustrator and creative personality involved in a wide range of projects from theater and film to personal exhibitions of paintings, drawings, mixed media and installations. Daniela designed costumes and sets for more than forty theater productions and five movies in her native country Romania between the years of 1978 and 1985. Daniela relocated to New York in 1986 where she worked on several theatre productions as the costume designer for the New Jersey Shakespeare Festival (As You Like It), and for Broadway productions The Secret Garden, Nick & Nora, Oh Kay and Romeo & Juliet in collaboration with Theoni Aldredge. Beyond her work in theatre and film, Daniela has had several personal exhibitions in Romania, Greece and the US. Her art is displayed in the National Museum of Romania and in private collections throughout New York, Washington, Paris, Athens, Thessaloniki, Como, and Zurich. In 2001 Daniela had a retrospective exhibition titled “Window in My Soul – The Studio” at New York’s National Arts Club. For the past 17 years, Daniela has worked with world renowned fashion designer Ralph Lauren as Senior Vice President of Design for Women’s Collection. Daniela continues to work as an artist producing new works from her studio in Connecticut as seen in the profile of her life and work in the book A Perfectly Kept House is a Sign of a Misspent Life by Mary Randolph Carter published by Rizzoli (2011).

American artist Lloyd Martin is known internationally for his rhythmically constructed abstract paintings.  He continues his engagement with color and line in this original mixed media work on paper.   It is one of two framed original Lloyd Martin works on paper available.

Measurement:
height: 27"
width: 27"

2013
oil on canvas

Measurements:
height: 66"
width: 92"

American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues his engagement with color and line in this outstanding body of work. Critic John Goodman wrote that Martin's paintings "achieve a Mondrianesque climax of rhythm." And it is this sense of movement, of rhythm, of flow that delights the eye as it is drawn along the forms and juxtapositions of bright-hued lush colors that are characteristic of the artist's recent work. In critic Maureen Mullarkey's words, Martin's paintings "approach the character of music."
Writers often reference Mondrian and music when describing Martin's work. In these paintings, each note holds its own, yet there is a velocity of linear movement. Martin's work is characterized by a sensuous quality in the sometimes-brushy aggression of one vibrant color pushing against another. For the viewer there is a visual pleasure in editing details of the work, allowing the eye to settle on a square here a rectangle there and imagining paintings within paintings
Martin has for a long time explored the architectural environment around his studio and his paintings reveal a framework and structure that reference architecture. Although clearly abstract, Martin's paintings are still grounded in the real world. And this architectural structure gives the work a sense of gravity, giving weight to his flights of vibrant color.
The painter's gifted handling of paint and color and his visceral love for the medium are evidenced in the remarkable variety within a work. Martin has always sought a pictorial truth and his intense engagement with the challenge and problem solving of abstract work is palpable. There is a kind of joy in the result that is communicated to the viewer with an engaging immediacy.
Lloyd Martin is a graduate of the Rhode Island School of Design. The art world press has often covered his work and he has been the recipient of many fellowships in painting as well as two in drawing, revealing his heightened awareness of line and form. That skill is evident in his Landfall Press series of prints in the collection of the Cleveland Museum of Art. 

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

Scherenschnitte, German for "scissor cuts," is a paper cutting art that dates back to the 16th Century.  In this newer example, artist Michael Raedecker uses "Ballenberg, Switzerland" as the subject for his intricate scherenschnitte in black on white.  

Measurements:
17" x 12,25"

About the artist:

Michael Raedecker (b. 1963 in Amsterdam, NL) currently lives and works in London (UK). He received his BA in Fashion Design from the Gerrit Rietveld Academie, Amsterdam (NL), and continued his studies at the Rijksakademie van Beeldende Kunsten, Amsterdam (NL) as well as Goldsmiths College, London (UK). In 2000, Raedecker was shortlisted for the Turner Prize.

His work can be found in the collections of Van Abbemuseum, Eindhoven (NL); Akzo Nobel Art Collection, Amsterdam (NL); Art Institute of Chicago, Chicago, IL (US); Astrup Fearnley Museum, Oslo (NO); British Art Council, London (UK); Guggenheim Museum, New York, NY (US); He Art Museum, Foshan (CN); ING Art Collection, Amsterdam (NL); Istanbul Modern Collection, Istanbul (TR); Kunstmuseum, The Hague (NL); MAXXI National Museum of XXI Century Arts, Rome (IT); Museum van Bommel van Dam, Venlo (NL); Tate Britain, London (UK); Museum Voorlinden, Wassenaar (NL); Walker Art Gallery, Liverpool (UK) amongst others, as well as in many private collections.

fiber print on gallery matte archival paper
framed solid oak with hand rubbed Indian ink stain

Measurements:
width:18”
height: 21”

Michael Anderson Biography

Michael has been shooting consistently for 20 years but has been fascinated with photography since childhood. Shooting exclusively with black and white film, Michael processes in the traditional manner through an established lab in New York City. As the process is all done by hand, it allows for more hands on collaboration. Michael prefers the depth and tonal range that is intrinsic to black and white film versus digital capture and frequently adds custom toning to finished prints. All prints are of museum quality, printed on archival papers. Michael is a proponent of the "larger negative", enabling incredible detail to the captured and utilizes medium format and large format cameras. Michael is currently the head of mens design at Banana Republic. His career in fashion includes leading menswear for such brands as Coach, Nautica, and Tommy Hilfiger. Michael is originally from New Castle, England. He currently resides in Weston, Connecticut with his wife and two children.

custom toned print on gallery matte archival paper

Image Dimensions
height: 14"
width: 11"

Frame Dimensions
height: 21"
width: 18"

Michael Anderson Biography

Michael has been shooting consistently for 20 years but has been fascinated with photography since childhood. Shooting exclusively with black and white film, Michael processes in the traditional manner through an established lab in New York City. As the process is all done by hand, it allows for more hands on collaboration. Michael prefers the depth and tonal range that is intrinsic to black and white film versus digital capture and frequently adds custom toning to finished prints. All prints are of museum quality, printed on archival papers. Michael is a proponent of the "larger negative", enabling incredible detail to the captured and utilizes medium format and large format cameras. Michael is currently the head of mens design at Banana Republic. His career in fashion includes leading menswear for such brands as Coach, Nautica, and Tommy Hilfiger. Michael is originally from New Castle, England. He currently resides in Weston, Connecticut with his wife and two children.

custom toned print on gallery matte archival paper

Image Dimensions
height: 14"
width: 11"

Frame Dimensions
height: 21"
width: 18"

Michael Anderson Biography

Michael has been shooting consistently for 20 years but has been fascinated with photography since childhood. Shooting exclusively with black and white film, Michael processes in the traditional manner through an established lab in New York City. As the process is all done by hand, it allows for more hands on collaboration. Michael prefers the depth and tonal range that is intrinsic to black and white film versus digital capture and frequently adds custom toning to finished prints. All prints are of museum quality, printed on archival papers. Michael is a proponent of the "larger negative", enabling incredible detail to the captured and utilizes medium format and large format cameras. Michael is currently the head of mens design at Banana Republic. His career in fashion includes leading menswear for such brands as Coach, Nautica, and Tommy Hilfiger. Michael is originally from New Castle, England. He currently resides in Weston, Connecticut with his wife and two children.

2006
Limited Edition of 50
artist signed
original aquatint
printed on 300 gsm 100% white rag watercolour paper

Measurements:
35" x 35"

About Andrea Malär: 

Andrea Malär sites his passion for expressive polarities as the constant in his work; the light and shadow, the interior and exterior, the material and the spiritual, the concrete and the symbolic, all balanced and contained within a geometric shape. This series of aquatints is an instant modern statement, with abstract, puzzle-like design. Showcasing the graphic simplicity of printmaking with the sharp angular shapes and two-tone hues casting a depth of form; it's as if it were an imprint of a three-dimensional sculpture. 

Egg by Laura Resen
2001
photograph

Measurements: 
width: 25"
height: 28"

About the artist:

Laura Resen is a professional photographer and visual artist based in Northern California and New York. She was trained in the Fine Art program at The Cooper Union in New York City.

Laura has worked in the field of photography since 1982. She began her career as a fashion model in Paris, New York, and Milan while still in school, shooting with masters including Richard Avedon, Peter Lindberg, and Mario Testino. She gained further experience in publishing and production as a picture editor and art director for magazines such as Vogue, House and Garden, and Departures, as well as for distinguished art-publishing houses such as Abrams Books and Rizzoli.

During residencies in both Paris and New York in the 1990s, Laura moved behind the camera. She started as a fashion photographer, shooting film stills, and as a correspondent for travel and interior design magazines. Her work subsequently expanded into commercial photography for a wide range of high-end fashion, hospitality, and home design brands.

Today, Laura balances editorial and commercial projects, shooting for magazines, style books, advertising, and catalog clients. In recent years, she has also returned to a broader creative director role. She is skilled at leading the conceptual and planning stages of both campaigns and ongoing publishing programs, to team and location management, and post-production. In these varied capacities, Laura creates images that are elegant, artistic, and on-brand.

Laura’s ongoing fine art practice over the last thirty years adds both craft and depth to her professional portfolio. Her artwork in photography, painting, and drawing is held in many prominent private, corporate, and museum collections.

2016
archival pigment print

Image Dimensions
height: 10"
width: 39.50"

Frame Dimensions
height: 16.50"
width: 46"

Lori Van Houten Biography

My current work consists of large photo-based works on paper. The prints incorporate photographs produced in camera, combined with selected found imagery to form each multi-layered piece. This work is produced by computer and consists of a complex layering and interacting of images. Like drawing, this technique involves a continual back and forth process of erasing and adding to achieve the final outcome. The final product is an archival pigment print on handmade papers from Bhutan and Japan produced in an edition of 5. I am an observer of the natural world. I see and record the shifting light and seasons but my work doesn't depict a particular place or represent a true juxtaposition of objects. My observations are beginnings, ultimately becoming interpretations of place and time.

2016
archival pigment pint

Image Dimensions
height: 10"
width: 43.5"

Frame Dimensions
height: 16"
width: 49"

Lori Van Houten Biography

My current work consists of large photo-based works on paper. The prints incorporate photographs produced in camera, combined with selected found imagery to form each multi-layered piece. This work is produced by computer and consists of a complex layering and interacting of images. Like drawing, this technique involves a continual back and forth process of erasing and adding to achieve the final outcome. The final product is an archival pigment print on handmade papers from Bhutan and Japan produced in an edition of 5. I am an observer of the natural world. I see and record the shifting light and seasons but my work doesn't depict a particular place or represent a true juxtaposition of objects. My observations are beginnings, ultimately becoming interpretations of place and time.

Architectural landscape watercolor with sepia color tones

Welded and painted steel sculpture by Volkmar Haase, signed. 

Measurements:
height: 22.5"
width: 9" 

About the artist: 

Volkmar Haase was born in Berlin, Germany in 1930. In1949–1950 he was in highschool for arts and crafts in Berlin and then between 1951 and 1958, Haase studied painting at the college of visual arts in Berlin (Hochschule für Bildende Künste Berlin); masterstudent of Prof. Max Kaus; self-educated acquirement of metal sculpture Since then he started as a freelance sculptor in Berlin-West

Canada, circa 1970

A table sculpture featuring a black marble base, onto which sits a modernist abstract natural form in cast polished nickel with a mounted piece of agate.

Measurements:
width: 7.5"
depth: 4"
height: 10.25"

Josef Petriska was born in Semlac, Western Romania on March 15, 1929.  He was the son of a steel worker and one of 9 children.  Josef was always good with his hands and in 1938, young Josef travelled with his school to watch the Romanian sculptor, Constantin Brâncuși, the Father of Modern Sculpture, install his 'Endless Column' in Targu Jiu.  Completely captivated by watching Brâncuși work, Josef decided he also wanted to create and from then on, started experimenting and exploring his artistic abilities.  His first commission was a 12 m x 12 m mural in Glogovat, Romania when he was 13 years old.  Josef was attending technical school in Arad while World War 2 was in full effect.  Two years after the Soviet invasion, Josef's mother feared for him because of his outspokenness, and urged him to flee Romania.  

 In 1966, Josef moved to Hollywood, California to start a business in the aerospace sector with his brother, and provided machined parts and components to the Jet Propulsion Laborartory. He witnessed first hand the Santa Barbara Oil Spill and then decided to dedicate his life to promoting environmental awareness by using his artwork as the medium to convey his messages. 

Petriska sculpted in various metals, but mainly with silver nickel and bronze.  He was commissioned by private corporations and government. Josef passed away peacefully at home one week after his 86th birthday on March 23rd 2015.   

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques and stencils. "Wilma", shown here is acrylic on canvas from 2016  

Measurements:
60" x 60"

Ethan Boisvert Biography

As an artist I work in an array of different mediums. This particular work is from my photography portfolio, which is almost completely abstract in nature. There are few indicators of anything real, in the sense of tangible objects, although all of the images portrayed are shot in camera and not created in Photoshop or other digital programs. The work is macro, a term applied to photography dealing with capturing images of very small objects such as pennies, key chains, flowers, magazine article cutouts, etc. I generally use refraction methods of shooting through glass and liquid, to further enhance the abstraction, which creates more fluid like compositions that align with classical western European masters of the pre avant-garde era.  

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques and stencils. "Won World", shown here is acrylic  on canvas from 2016.  

Measurements:
60" x 60"

Ethan Boisvert Biography

As an artist I work in an array of different mediums. This particular work is from my photography portfolio, which is almost completely abstract in nature. There are few indicators of anything real, in the sense of tangible objects, although all of the images portrayed are shot in camera and not created in Photoshop or other digital programs. The work is macro, a term applied to photography dealing with capturing images of very small objects such as pennies, key chains, flowers, magazine article cutouts, etc. I generally use refraction methods of shooting through glass and liquid, to further enhance the abstraction, which creates more fluid like compositions that align with classical western European masters of the pre avant-garde era.  

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

Acrylic and plaster 

Measurements: 
65" x 49" 

Sabine is an abstract artist from Belgium (1964). She tries to let her work speak to those who like modern minimalist design. Her life as an artist began long before she actually started painting. As an autodidact she started out creating her first piece of an art in 2002.

She is mostly inspired by nature, with all its different whims, colours and surfaces. By painting layer after layer; she generates a balanced and unflustered composition. While her paintings might be quite untamed, the shades she uses are often subtle yet charismatic. If she had to choose one word to describe her art, she would have to say ‘wabi sabi’; a Japanese term for “imperfect, impermanent, and incomplete”.